A / 与《艺伎楼》并列最佳阿莫多瓦的新巅峰不断减法仿佛被“剥夺”了一切技巧的轻盈姿态夜行于感官、幻觉、虚构、真实的断裂处——与其说是戏中戏不如说是让每一个电影所能抵达的文本层次都获得如片头流动色彩般的朦胧质态却又维系着与中间那片“空”的脆弱界线这一片“空”是一种不断追逐但又难以企及的“电影”自我指涉——不断逃离“我”却又渴望着、返照着“我”
阿柒:121.76.114.195
I barely knew him, but I was in love with him for four years. And on the last day, he talked to me, everything he said was exactly how I pictured it would be. He fell the way and fell in my dream, and I thought everything was happening exactly the way it was supposed to be.